Kinda sorry I’m going to see Legend of the Guardians in IMAX 3D this weekend, and not Gaspar Noé’s new film, Enter the Void. This is the movie that could benefit from the full, immersive, 3D treatment: a swirling, gliding, electric voyage into life and death, with sex, drugs, and a dynamically surreal Tokyo thrown in for good measure.
That all this is conveyed through the viewpoint of a mere blip on the universe’s map — a low-level drug dealer, Oscar (Nathaniel Brown), who comes a-cropper of a botched drug bust and ends up on the wrong end of a cop’s gun — lends what follows no 
little ironic impact. As he lays bleeding on a lavatory floor, the camera takes the vantage point of Oscar’s soul as it rises, experiencing the transition to the next world in a manner that closely resembles The Tibetan Book of the Dead. In a sinuous, seamless camera track, we see Oscar’s life — particularly the bond he has with sister (Paz de la Huerta) — played out as grand, psychedelic pageant. The experience is mesmerizing and surprisingly poignant — certainly one of the most intense and seductive experiences I’ve had this year.
Click on the player to hear my interview with Gaspar Noé.
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