Pearl Korn: Brad Pitt Leads the Way in Building a Sustainable, Affordable, Energy-Efficient Community in New Orleans

Before the fresh memory of the 5th anniversary of hurricane Katrina fades from memory, some reflection is warranted.

We should consider the resurrection and rebirth of the Lower 9th Ward in New Orleans, a community decimated by Katrina’s rage and fury in which four thousand homes were leveled. We must never forget those bodies on the streets, and people standing on roofs screaming for help. Or those thousands huddled together in the Astrodome in squalor and hunger, shock and disbelief. Or those toxic home trailers provided by President Bush, who proclaimed, “Brownie, you’re doing a heckuva job!” to Mike Brown as he presided over FEMA’s catastrophic failure. All images for the ages.

People were forced to leave Louisiana by the thousands as their lives, families and communities were left in ruins. There was little to keep them there, especially in the Lower 9th Ward, where nothing remained – the poor hit the hardest, while the French Quarter was spared.

Rebuilding N.O. was moving too slowly for Brad Pitt, and so the MAKE IT RIGHT FOUNDATION was born. In 2006, Pitt gathered a group of experts in N.O. to brainstorm on how to build green, affordable housing on a large scale, and to assist those most in need after the devastating aftermath of Katrina. The Lower 9th Ward became the mission — to rebuild lives and their community — and with a combined $10 million donation from Pitt and film producer Steve Bing, the foundation was created. Others involved in the foundation are Angelina Jolie and Ellen DeGeneres and Mike Holmes of Holmes on Homes.

That was then and this is now. Fourteen homes have been completed and are now inhabited by formerly displaced families, with nineteen more under construction. Former residents are coming home to new, one family and duplex homes in the Lower 9th Ward designed by an international group of architects who donated cutting edge designs of houses that would resist floods and were sustainable, affordable and energy-efficient. Employing new construction techniques, new technologies and materials, the plan is to build 150 homes. Gardens of various types are already springing up as a community begins to rise.

The doors swung open on these new homes last November, offering, in Mr. Pitt’s words, “a hand up and not a hand out” to the residents of the Lower 9th. Each home has solar panels on the roofs and are energy-efficient throughout, at low cost, and more importantly, these unique looking homes stand on stilts to deal with any future flooding that might threaten them. And there is even a 21st century, sustainable playground for the children. The first totally energy efficient community in our nation is wining awards for its pioneering creativity. A model to be emulated nationally.

How the homes are financed adds additional cutting edge smarts to an already impressive project. The home buyer is expected to contribute as much as possible from their own resources to cover the purchase of their home. The average home price of a single family house $150,000 and a duplex $200,000. The prices vary by size and design. At closing, the average price is $75,000, made up from grants and outside mortgage financing. Make It Right covers the gap. A financial services operation is part of the foundation’s structure and offers affordable mortgages to those who don’t qualify for a loan from a private bank, but can afford monthly payments. In addition the foundation offers loans with no payment or interest that are forgiven over a period of time in exchange for the home owner’s commitment to remain in the home as an owner-occupant. All of this is set in motion with an online application to the Make It Right Foundation.

The core partners involved with Make It Right include such local, national and international organizations and companies as: Cherokee Gives Back Foundation, the non profit arm of Cherokee Investment Partners, a firm that specializes in remediation and sustainable redevelopment of environmentally impaired properties; Graft, an innovative architectural firm that Brad Pitt has worked with on other projects around the world; William McDonough + Partners, a world leader in environmental architecture; and John C. Williams Architects, a N.O. architecture firm brought in as the project’s executive architect.

BP has appropriated the phrase “make it right” (for whom?) as its rallying cry to rebuild its shattered image — I can only hope they have made a huge donation to Mr. Pitt’s foundation?

Meanwhile, Make It Right Foundation is an extraordinary laboratory for innovation and creative design in building a green-energy, efficient community at affordable prices. This did not escape notice on Capitol Hill when in March 2009 Brad Pitt met with Nancy Pelosi, Harry Reid and Rep. James Clyburn, the House Majority Whip and head of the House’s Katrina-Rita Task force. But this was merely a press conference. It is time to invite Mr. Pitt back and have him meet with the Deficit Commission to talk about rebuilding new, 21st century communities along with other infrastructures. Could a Marshall Plan emerge as a template to be used nationwide? This would certainly plump up local economies and create jobs. Surely Brad Pitt and his team of professional innovators could offer ideas and more than a few suggestions.

Clearly the success of this foundation more than suggests it will have to extend its commitment beyond building 150 homes in the Lower 9th Ward. They should raise the stakes and continue building until they reach 1000 homes, 25 percent of what was lost in Hurricane Katrina.

Read more: New Orleans, Fema, Brad Pitt, James Clyburn, Marshall Plan, Brad Pitt's 'Make It Right' Project, Ellen Degeneres, Mike Brown, Nancy Pelosi, Angelina Jolie, Harry Reid, British Petroleum, Hurricane Katrina, Deficit Commission, President Bush, Politics News

Angelina Jolie Meets Flood Victims In Pakistan

JALOZAI, Pakistan — American movie star Angelina Jolie met flood victims in northwestern Pakistan on Tuesday and appealed to the international community to provide aid needed to help the country recover from its worst natural disaster.

The flow of aid money has stalled in recent days, and officials expressed hope the two-day visit by Jolie – who serves as a “goodwill ambassador” for the U.N.’s refugee agency – will convince foreign countries and individuals to open their wallets.

Read more: Angelina Jolie, Angelina Jolie Pakistan, Pakistan, Entertainment News

Joel Brokaw: Monkeys of India: Look but Please Don’t Touch

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There’s a grainy photo I have on my desk that I hurriedly took of two monkeys I encountered in India about a decade ago. It is not a beautiful photograph–no risk that it will be published in National Geographic. Nor were these creatures out of the ordinary in their appearance–just your standard, garden variety gray monkey. Yet, I will never forget them and for good reason.

From traveling to India a total of eight times during a seven year period starting in the late 90s, I can safely say that one of the greatest gifts of going there is how it challenges your assumptions right to the core. If you want a carefree, relaxing place, try Hawaii or Tahiti. If you want to go out of your comfort zone and find out some interesting things about yourself, come to India. Nothing seems to go according to plan, and once you accept that and give up that need to control, it can be liberating.

A trip to India gives you a better grasp of the notion of duality. It’s in your face all the time. One moment, you might see the most beautiful sight, and in the next, something ugly or horrible. The Buddhists believe that when you are no longer trapped in the cycle of attraction/aversion but see the beauty and ugliness as illusory, you’re making progress in the right direction. You start experiencing a much fuller dimension of being beyond the limiting box of our conceptual thinking.

A decade ago, I traveled with a small group that included a dear client/friend of mine. This person had a well-warranted fear of getting sick on trips based on a previous experience and went to elaborate precautions to prevent a recurrence. It’s the law of averages whether you’ll get sick in India. I have paid the price on two of those trips of coming back home with bacteria and parasites that were not laughing matters, but with no regrets.

“I have a surprise for you,” my client informed me as we were taking off. “I have made up prepared meals for our entire journey, and I’ve brought a set for you as well. Think of it as an advance birthday present.” As much as I appreciated this gift, the thought was nice but the reality was less so. First of all, I love Indian food and considered it well worth the risk when exercising caution. However, these prepackaged meals were tolerable for the first few days, but grew progressively unappetizing by the end of the first week. One of the other travel companions had the clever idea of buying all sorts of Indian condiments and hot sauces to spice them up, but that too was a quick fix that was over fast. The accumulation in the body of the red food coloring from some of those bottled sauces also had some curious side effects best left to your imagination.

So, after a week, I didn’t have much appetite left for the various canned and jarred goods that made up the meals. I was just eating the nuts that supplied the healthy source of fat in the balanced meals. But that too was getting difficult, with the macadamias being the worst. Legend goes that macadamia trees were imported to Hawaii from China by an enterprising farmer who thought they would be nutritious fodder for raising pigs. But the only miscalculation was that no one asked the pigs, who turned their snouts up at them. So, what was one to do with all these surplus nuts? Why not cover them in chocolate thought one entrepreneur, who put them in candy boxes to sell to tourists. The rest is history.

Here I was in India with all this uneaten food. Growing up in the 1950s, you always heard about the starving children of India if you balked at eating your cauliflower. The canned foods were less problematic and could be left behind and surely used by someone. But the shelf-life of the nuts was another matter. The heat would make them rancid in no time, I thought. What to do?

We had checked into a resort hotel in one of those hill stations in the foothills of the Himalayas. Hill stations were the places where the English sent their wives and children to escape the summertime heat and dust of the plains. The hotel dated back to the grandeur of that Imperial period, but probably hadn’t been renovated since and was showing its age measured in cracks in the walls and the mold that grew in them.

Checking into the room, I saw a small sign painted on a metallic plate screwed to the bottom of the window. It read, “Beware of the monkey menace. Keep window screen latched at all times.”

I suddenly had what I thought was a brilliant idea. Why not offer up my mounting supply of macadamia nuts to the monkeys? Within minutes of opening the window and pouring the nuts onto the railing on the top of the stone columns of the adjacent terrace, a posse of monkeys arrived. I watched the show from the comfort of my room and safely behind the locked screen.

There was definitely some elaborate form of protocol. One of the dominant monkeys went over to the pile and picked up a nut in its hand. He studied it intently for a few moments and then sniffed it, making no bones that this was an alien foodstuff. But after a few moments, he took a bite and gave it the thumbs up. Another three or four monkeys came and joined in the feast. The nuts were gobbled in no time. Problem solved.

The next morning, I awoke early and looked out the window. The light was almost intoxicating in its brilliance. I couldn’t wait to go out on the terrace and take in the view of the Ganges plain below. I could leave my room and go down the hall and exit on the other side of the terrace. Or I could simply open the window and step easily down to the terrace. Yeah, that was a better idea. I would carefully close the screen behind me so it would appear to be locked per the warning sign.

A few seconds later, I stood about 40 feet away by the railing of the terrace. I was ecstatic. I thought, “This is India. This is what it is all about. This is why I came here, all this way. Just look at this view.”

The reverie was short lived. Out of the corner of my eye, I saw two dark spots. Turning my head, I was in disbelief and did one of those famous Laurel and Hardy whiplash double takes. There, undeniably, were two monkeys. One was on the same railing where I put the macadamia nuts. The other was flush against my window, adroitly putting its long fingernails into the crack between the screen and door frame. In a flash, it had opened the window and bounded into my room. The second monkey stood lookout outside.

I rushed over and started yelling at the guard monkey. “Arrrrghh! Go away!” The creature looked up at me in disbelief, as if to say, “You don’t know whom you’re messing with.” Immediately, it started lunging at me, not in full attack mode yet but giving me the message to back off or else. Hard to miss and very convincing were his very sharp fangs that had obviously never seen a dental hygienist. I went into retreat and fast.

At just this moment, my client arose and opened the curtains of her room. She, too, did a double take as I sprinted by her window. She watched as I reversed direction, carrying a red plastic chair and with a determined look on my face that she had never seen before in all the years she had known me.

By the time I came back to the scene of the crime in lion-tamer mode, it was too late. The one who was ransacking my room was making his exit, carrying something in his hand. The two then made off into the bushes.

When I climbed back through the same window, I was expecting the worst. My room would be trashed and suitcase and clothing ripped to shreds, I imagined. Monkey poop would be all over the floor and the bed. The hotel manager would then come up to look at the room, silently shaking his head back and forth in disbelief at my stupidity, pointing to the sign on the window to add to my humiliation. “You can put the damages on your credit card,” I could hear him saying.

But, no, that was not the case. In fact, astoundingly, everything seemed to be in perfect order, just as I had left it. Baffled, I climbed back out of the window and went back on the terrace. I had to find out what was behind this. I walked along the railing and peered down into the bushes to see if I could spot the culprits. And there they were.

It turned out the monkeys knew exactly what they were looking for in my room. They had no interest in trying to find any left over macadamias. Instead, the intruder had apparently gone right for the tray next to the electric teakettle and made off with a small plastic bag.

By the time I spotted them, they had already opened the contents of the bag. It was clear that they were enjoying this special treat. One of the monkeys opened the little foil packet of instant coffee and another one containing sugar. They licked one of their long nails and dipped it into each packet to extract the powders and mixed them together. This was their morning coffee.

The monkey is a holy animal in India, revered in the culture like the cows. The Hindu monkey deity Hanuman waits on call to save India if peril threatens and can traverse the country in mere seconds, according to the scriptures. And god forbid your vehicle should hit one on the road–there’s serious karma to pay. Yet at the same time, they’re recognized as a nuisance and a pest if they live among you. Serious injuries can happen. Attacks like the one that nearly happened to me are all too frequent.

But as I watched them delight in their moment, like a couple of coworkers taking a break at Starbucks, all that was suddenly forgotten.

So much for duality … What wasn’t there to respect about these remarkable beings.

Read more: Macadamia Nuts, India, Hanuman, Monkey, Buddhism, Hinduism, Spirituality, Hill Station, Duality, Ganges, Living News

Dan Persons: Cinefantastique Podcast: 2010 Summer Wrap-Up of Sci-Fi, Horror, & Fantasy Film

It’s a special Labor Day edition of the Cinefantastique Podcast. Eschewing the usual round-up of news and reviews, Dan Persons, Lawrence French, and Steve Biodrowski provide their assessment on the best and worst that this summer had to offer. What tops the list: Splice, Inception, Predators, or Iron Man 2? And what lies at the bottom of the barrel: Jonah Hex, Piranha 3D, The Last Airbender, or Furry Vengeance? Also explored are such riveting questions as: What film is most likely to forget its own title? Which actor took on the most challenging script? What was the worst pro-ecology movie? Was this the season of the ultimate 3D burn-out? And the perennial: Is it possible for one film season to blow and suck at the same time?

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Check out previous episodes of the CFQ Podcast

v1n29 – The Last Exorcism
v1n28 – Piranha 3D
v1n27 – Scott Pilgrim vs. the World

For the latest news on horror, fantasy, and science fiction film and television, visit Cinefantastique online.

Read more: Violence, Action-Adventure, Al Gore, Murder, Horror, Emotion, Sex, Drama, Suspense, An Inconvenient Truth, Controversy, Death, Indie, Success, Comedy, Social Drama, Gore, Science Fiction, Satire, Off Beat, Fantasy, Explosions, Gritty, Art, Animation, Love, Entertainment News

Diane Dimond: The Media Lies To You – Beware!

I took some time off my regular schedule to write a book. It’s all about how we as a society have abrogated our opinion-making and handed it over to whatever media we follow.

For some people these days it takes too much time and effort to engage in critical thinking. But what if the media is just playing follow the leader – parroting each other and not really checking out the facts? It happens all the time and now more than ever we need to use our common sense to help lead us to the truth.

My new book is about the couple the media branded “The White House Gate Crashers,” Michaele and Tareq Salahi. The name of it is “Cirque du Salahi – Be Careful Who You Trust” and I don’t mention it here as just a shameless plug for my own work. I mention is because Cirque – or circus – perfectly describes the information superhighway traveling into our homes every minute of every day. It has become a circus of truths, half-truthful exaggerations and downright lies. Many of us gobble it up without stopping to think what we’re digesting.

Let’s analyze the nickname the press gave the Salahis just hours after they appeared at President Obama’s first state dinner on November 24, 2009: “The White House Gate Crashers.” But, whoa! Stop and think about that a minute.

Nobody “crashes” the gate at the White House, for goodness sakes! The place is ringed with armed guards and a massive security net. So why would the media say that – over and over before any real facts were known? Because it’s catchy and it fits into today’s terrorist watch mentality. Salahi – why it even sounds like a suspect Middle Eastern name!

The Salahis decided to open up to one person – me – and to tell their whole story. During my investigation I got to dissect all their e-mails with a White House representative who promised to try to get them in to the event. I discovered the Salahis honestly believed they were invited to the welcoming ceremony for the Prime Minister of India. I learned that once they arrived at the White House they presented their passports to not one – but two – Secret Service checkpoints and they were waved right in. Once inside the grand reception hall staff ushered them through the official receiving line and then into the lavish dinner tent set up on the South Lawn.

Now, what part of that sounds like a “gate crashing” to you? That’s right – none of it. Yet to this day most media continue to refer to the Salahis as “crashers” and remind the public that federal charges are still a possibility. Ridiculous.

The Salahis immediately cooperated with federal investigators who learned the details I’ve just outlined for you – and much more. Yet those investigators apparently didn’t pass the word on to the Congressional Homeland Security Committee. Even before the hearing members publicly vilified the Salahis. Congresswoman Sheila Jackson Lee called them, “the perpetrators.” Her colleague, Eleanor Holmes Norton declared, “Clearly they were outlaws before they crashed the White House.” So when the couple was subpoenaed to appear before the committee there is there any wonder why they exercised their constitutional right to remain silent? With the deck already stacked against them they had no choice but to take their lawyer’s advice and plead the fifth. Your lawyer would tell you to do the same.

It was a shameful kangaroo court proceeding conducted by the Congressional panel that’s supposed to be concentrating on ways to keep the country safe in this post 9-11 atmosphere. Instead, the politicians were more interested in getting face time on TV while the story was still hot.

The Salahis are not like you and me. Months before the White House event they were cast as members on a “reality” TV show. An odd move, in my book, but being odd is not against the law in America. They owe money to multiple creditors but how many other citizens have gotten caught up in this bad economy? Their worst luck was to become the target in this new era of lock-and-load journalism. The media decides who the focus is and relentlessly zero in.

The Salahis biggest transgression may have been that they blindly trusted too many people. Their own entertainment lawyer paved the way to the White House state dinner then dropped them like a bag of toxic waste after the scandal broke. They trusted federal investigators would help clear their name. They trusted that the justice system and the federal grand jury hearing their evidence would exonerate them. They trusted that the media would ultimately get the story straight. But here we are almost a year later and the Salahis are still twisting in the wind.

Too many of today’s professional journalists, augmented by mostly inexperienced internet bloggers, are all too eager to jump on the story-du-jour for fear of being left behind. Too bad they don’t take the time to research facts before parroting what others have reported before them.

Be careful who you trust.

Diane can be reached through her web site www.DianeDimond.com Her new book can be pre-ordered at Amazon.com.

Read more: Reality TV, Obama's State Dinner, Diane Dimond, Delegate Eleanor Holmes Norton, The Media Lies to You, Tareq and Michaele Salahi, Diane Dimond's Weekly Column, Congresswoman Sheeila Jackson Lee, Cirque Du Salahi Be Careful Who You Trust, Congressional Homeland Security Committee, Politics News

John W. Whitehead: Lady Gaga and the Pornification of America

“This mornig my little 8 year old sister…scremed to the tope of her lungs ‘! I LOVE LADY GAGA TILL DEATH!’ over and over agin HISTERICLY and crying because she saw a lady gaga video…now she cant talk HEY BUT I LOVE HER TWO HAHAHA.”– Lady Gaga Facebook fan

With a record-breaking 17 million fans on Facebook, an equally chart-topping 5 million followers on Twitter, the most popular hashtext on twitter (#becauseofgaga), the most watched YouTube video (“Bad Romance,” with over 271 million views), and more than $34 million in ticket sales from her Monster Ball Tour, Lady Gaga, a.k.a. the artist formerly known as Stefani Germanotta, is undeniably a musical force to be reckoned with. At least for the moment.

Nominated for 13 MTV Music Video Awards, including four for “Bad Romance” (which attracted so much attention when it premiered that it ground Gaga’s website to a halt), Gaga knows how to fill seats, sell albums and incite a frenzied devotion among her followers, whom she affectionately refers to as “Little Monsters.” The emphasis is on the “little.” With a fan base dominated by the under-20 set (her fans on Facebook range in age from 10-21), the driving force behind Gaga’s popularity and success comes from “kidpower.” Yet the content of Gaga’s music and videos is far from kid-friendly, and the impact on her young female fans is particularly troublesome.

Indeed, Gaga admits that “the last thing a young woman needs is another picture of a sexy pop star writhing in sand, covered in grease, touching herself.” However, if you were to replace “sand” with “brothel floor” and “grease” with “diamonds,” Gaga is precisely “another sexy pop star,” albeit one whose hyper-sexualized façade has greatly contributed to the pornification of American culture. As theatre historian and University of Illinois professor Mardia Bishop explains, “pop culture and porn culture have become part of the same seamless continuum. As these images become pervasive in popular culture, they become normalized… and… accepted.”

Given the youth of Gaga’s fanbase, however, this foray into porn culture — the increasing acceptability and pervasiveness of sexualized imagery in mainstream media — is where the Gaga phenomenon takes a dark turn. “Visual images and narratives of music videos clearly have more potential to form attitudes, values, or perceptions of social reality than does the music alone,” notes author Douglas A. Gentile in his book Media Violence and Children, “because they add additional information and rely less on imagination.” For example, Gaga’s critically acclaimed “Bad Romance” video packs a lot of messages — none of them wholesome — into a five-minute musical in which the singer is kidnapped, drugged, and forced to sell herself as a prostitute to the highest bidder. The video ends with a scantily clad Gaga lying on a bed in a post-coital pose beside the smoldering skeleton of her “customer” while her pyrotechnic bra emits fire.

That said, Gaga is far from the only mainstream artist contributing to the sexualization and pornification of young children through the mediums of pop music and music videos. Among the worst culprits constantly bombarding young people today with sexual images and references are music videos, which are found daily in 75-80% of the homes of 9- to 14-year-olds. Children between the ages of 8 and 18 spend approximately 30-120 minutes a day watching music videos — 75% of which contain sexually suggestive materials, and with the advent of portable technology, children’s television and music are often unmonitored by parents or guardians. Not only does this accelerate adolescent sexual behavior (girls between the ages of 12-14 are two times more likely to engage in sexual activity after being exposed to sexual imagery), but it increases the likelihood of more sexual partners.

As for Gaga’s “little monsters,” between the celebrity worship and the hyper-sexed imagery found in the pop star’s videos, they’re getting double-teamed. Indeed, Nancy Bauer, a Tufts University professor, argues that as “adoration of celebrities as idols or role models is a normal part of identity development in childhood and adolescence,” young girls often look to celebrities as moral exemplars. This adoration can manifest itself from something as simple as putting up posters of the celebrity to more destructive behaviors, such as starving oneself to mimic a celebrity’s body shape.

Thus, to younger children, Lady Gaga crawling around on the floor in diamonds and giving a lap dance to an emotionally distant male stranger becomes the embodiment of Gaga behavior — to be studied and emulated. For example, the image of Gaga with overly large, computer-generated eyes in “Bad Romance” has given rise to a whole new craze in eyewear — circle lenses. After the video premiered, a professional make-up artist and spokesperson for Lancome, Michelle Phan, uploaded a “How To” video teaching girls how to achieve a similar look. The instruction video, which calls for five layers of false lashes, two eyeliners, brow gel, three different eye shadows, a brow pencil, circle contact lenses, and an anti-inflammatory “not meant for daily use,” received over 12 million hits. One user commented “!? Nice ^^ I want to do this look but I’am just 11 years old!!!” Another girl, 16 years old, admitted to owning 22 pairs of the dangerous (and expensive) lenses. The American Optometric Association, however, has cautioned that the lenses used, which increase the apparent size of the eye by covering not only the iris but also part of the whites of the eyes, pose serious health risks, including “the potential for irreversible sight loss.” If Gaga intended her large eyes to represent innocence lost — a fair and, admittedly, clever, symbol — that’s not what 12 million young viewers got out of it.

That Gaga’s fan base is significantly younger and therefore less capable of comprehending the difference between reality and fantasy and more likely to interpret imagery on a literal level than the fans of past artists demonstrates why Gaga is such a central factor in the pornification of American youth through popular music. Anything they see, whether it’s Gaga caged up with vertebrate sticking out of her back or Gaga using her sexuality to seduce and then murder a male counterpart as she does in “Bad Romance,” is accepted as fact. Her outrageous fashion choices and excessive make-up keep up this façade. As Gaga herself admits, “I don’t even drink water onstage in front of anybody, because I want them to focus on the fantasy of the music.”

But as professor Bauer notes, “the difference [between Gaga and other celebrities] is, somehow, that these people feel individually like [Gaga’s] a real role model — that they could be her.” It is precisely this reciprocal relationship, something that usually manifests itself only in individuals with borderline-pathological celebrity worship syndrome that explains the difference between Gaga’s fans and others. Fans that are not otherwise borderline-pathological hold similar mindsets, including the fantasy that Gaga loves them on a personal level, shares in their successes and failures, and is not only a role model but also a projection of the self.

Gaga reinforces this perception through her own carefully choreographed behavior, appearing to show genuine love and an almost motherly concern for her fans. As she explains to one interviewer, “What I’m really trying to say is I want the deepest, darkest, sickest parts of you that you are afraid to share with anyone because I love you that much.” Gaga also manages to create a sense of intimacy and reciprocity in what is traditionally a non-reciprocal relationship, constantly attributing her success and happiness to her fans. For example, Gaga tattooed “Little Monsters” on her forearm, tweeting, “Look what I did last night. Little monsters forever, on the arm that holds my mic.” In response, one fan gushed, “If I ever meet YOU, I’m going to get your signature tattooed on me too!!” Another states, “I wish we could sit down together and talk about all this stuff together. You would love the stories I have! And I know you’d believe me.”

This pseudo-reciprocal relationship, then, is foundational to Gaga’s pervasive impact on fans. After all, when fans are imbued with a sense of importance, they become ravenous consumers of associated commercial products. Yet, in an ironic take on “Bad Romance,” in the end, it’s Gaga’s young fans who are being used for their consumer appetites and sold to the highest bidder.

And what merchandise those appetites have spawned. Gaga’s once obscure fashion has come to inspire Prada, Armani, and Alexander Wang. Nude corsets, lace, bodysuits, feathers, and “the pantsless look” have all been featured on the runways. Particular materials — corsets, high-heels, leather, rubber, fur, and underwear as outerwear are all commonly used in the porn industry, and all appear in Gaga’s “Bad Romance.” These fashions, like fashions of the past, trickle down to reach young girls — which explains how sexually provocative slogans like “Feeling Lucky” find themselves stamped on the backs of underwear marketed to 7 year olds.

Clearly, there are trade-offs in every relationship, and Lady Gaga is no exception. However, while Gaga gets stardom, wealth and affirmation out of her young fan base, it is not without a certain amount of trepidation that one wonders what her “little monsters” are getting in return.

Read more: Pornography, Lady GaGa, Lady Gaga Bad Romance, Entertainment News

Angelina Jolie Meets Flood Victims In Pakistan

JALOZAI, Pakistan — American movie star Angelina Jolie met flood victims in northwestern Pakistan on Tuesday and appealed to the international community to provide aid needed to help the country recover from its worst natural disaster.

The flow of aid money has stalled in recent days, and officials expressed hope the two-day visit by Jolie – who serves as a “goodwill ambassador” for the U.N.’s refugee agency – will convince foreign countries and individuals to open their wallets.

Read more: Angelina Jolie, Angelina Jolie Pakistan, Pakistan, Entertainment News

Joel Brokaw: Monkeys of India: Look but Please Don’t Touch

2010-09-01-photo81.jpg

There’s a grainy photo I have on my desk that I hurriedly took of two monkeys I encountered in India about a decade ago. It is not a beautiful photograph–no risk that it will be published in National Geographic. Nor were these creatures out of the ordinary in their appearance–just your standard, garden variety gray monkey. Yet, I will never forget them and for good reason.

From traveling to India a total of eight times during a seven year period starting in the late 90s, I can safely say that one of the greatest gifts of going there is how it challenges your assumptions right to the core. If you want a carefree, relaxing place, try Hawaii or Tahiti. If you want to go out of your comfort zone and find out some interesting things about yourself, come to India. Nothing seems to go according to plan, and once you accept that and give up that need to control, it can be liberating.

A trip to India gives you a better grasp of the notion of duality. It’s in your face all the time. One moment, you might see the most beautiful sight, and in the next, something ugly or horrible. The Buddhists believe that when you are no longer trapped in the cycle of attraction/aversion but see the beauty and ugliness as illusory, you’re making progress in the right direction. You start experiencing a much fuller dimension of being beyond the limiting box of our conceptual thinking.

A decade ago, I traveled with a small group that included a dear client/friend of mine. This person had a well-warranted fear of getting sick on trips based on a previous experience and went to elaborate precautions to prevent a recurrence. It’s the law of averages whether you’ll get sick in India. I have paid the price on two of those trips of coming back home with bacteria and parasites that were not laughing matters, but with no regrets.

“I have a surprise for you,” my client informed me as we were taking off. “I have made up prepared meals for our entire journey, and I’ve brought a set for you as well. Think of it as an advance birthday present.” As much as I appreciated this gift, the thought was nice but the reality was less so. First of all, I love Indian food and considered it well worth the risk when exercising caution. However, these prepackaged meals were tolerable for the first few days, but grew progressively unappetizing by the end of the first week. One of the other travel companions had the clever idea of buying all sorts of Indian condiments and hot sauces to spice them up, but that too was a quick fix that was over fast. The accumulation in the body of the red food coloring from some of those bottled sauces also had some curious side effects best left to your imagination.

So, after a week, I didn’t have much appetite left for the various canned and jarred goods that made up the meals. I was just eating the nuts that supplied the healthy source of fat in the balanced meals. But that too was getting difficult, with the macadamias being the worst. Legend goes that macadamia trees were imported to Hawaii from China by an enterprising farmer who thought they would be nutritious fodder for raising pigs. But the only miscalculation was that no one asked the pigs, who turned their snouts up at them. So, what was one to do with all these surplus nuts? Why not cover them in chocolate thought one entrepreneur, who put them in candy boxes to sell to tourists. The rest is history.

Here I was in India with all this uneaten food. Growing up in the 1950s, you always heard about the starving children of India if you balked at eating your cauliflower. The canned foods were less problematic and could be left behind and surely used by someone. But the shelf-life of the nuts was another matter. The heat would make them rancid in no time, I thought. What to do?

We had checked into a resort hotel in one of those hill stations in the foothills of the Himalayas. Hill stations were the places where the English sent their wives and children to escape the summertime heat and dust of the plains. The hotel dated back to the grandeur of that Imperial period, but probably hadn’t been renovated since and was showing its age measured in cracks in the walls and the mold that grew in them.

Checking into the room, I saw a small sign painted on a metallic plate screwed to the bottom of the window. It read, “Beware of the monkey menace. Keep window screen latched at all times.”

I suddenly had what I thought was a brilliant idea. Why not offer up my mounting supply of macadamia nuts to the monkeys? Within minutes of opening the window and pouring the nuts onto the railing on the top of the stone columns of the adjacent terrace, a posse of monkeys arrived. I watched the show from the comfort of my room and safely behind the locked screen.

There was definitely some elaborate form of protocol. One of the dominant monkeys went over to the pile and picked up a nut in its hand. He studied it intently for a few moments and then sniffed it, making no bones that this was an alien foodstuff. But after a few moments, he took a bite and gave it the thumbs up. Another three or four monkeys came and joined in the feast. The nuts were gobbled in no time. Problem solved.

The next morning, I awoke early and looked out the window. The light was almost intoxicating in its brilliance. I couldn’t wait to go out on the terrace and take in the view of the Ganges plain below. I could leave my room and go down the hall and exit on the other side of the terrace. Or I could simply open the window and step easily down to the terrace. Yeah, that was a better idea. I would carefully close the screen behind me so it would appear to be locked per the warning sign.

A few seconds later, I stood about 40 feet away by the railing of the terrace. I was ecstatic. I thought, “This is India. This is what it is all about. This is why I came here, all this way. Just look at this view.”

The reverie was short lived. Out of the corner of my eye, I saw two dark spots. Turning my head, I was in disbelief and did one of those famous Laurel and Hardy whiplash double takes. There, undeniably, were two monkeys. One was on the same railing where I put the macadamia nuts. The other was flush against my window, adroitly putting its long fingernails into the crack between the screen and door frame. In a flash, it had opened the window and bounded into my room. The second monkey stood lookout outside.

I rushed over and started yelling at the guard monkey. “Arrrrghh! Go away!” The creature looked up at me in disbelief, as if to say, “You don’t know whom you’re messing with.” Immediately, it started lunging at me, not in full attack mode yet but giving me the message to back off or else. Hard to miss and very convincing were his very sharp fangs that had obviously never seen a dental hygienist. I went into retreat and fast.

At just this moment, my client arose and opened the curtains of her room. She, too, did a double take as I sprinted by her window. She watched as I reversed direction, carrying a red plastic chair and with a determined look on my face that she had never seen before in all the years she had known me.

By the time I came back to the scene of the crime in lion-tamer mode, it was too late. The one who was ransacking my room was making his exit, carrying something in his hand. The two then made off into the bushes.

When I climbed back through the same window, I was expecting the worst. My room would be trashed and suitcase and clothing ripped to shreds, I imagined. Monkey poop would be all over the floor and the bed. The hotel manager would then come up to look at the room, silently shaking his head back and forth in disbelief at my stupidity, pointing to the sign on the window to add to my humiliation. “You can put the damages on your credit card,” I could hear him saying.

But, no, that was not the case. In fact, astoundingly, everything seemed to be in perfect order, just as I had left it. Baffled, I climbed back out of the window and went back on the terrace. I had to find out what was behind this. I walked along the railing and peered down into the bushes to see if I could spot the culprits. And there they were.

It turned out the monkeys knew exactly what they were looking for in my room. They had no interest in trying to find any left over macadamias. Instead, the intruder had apparently gone right for the tray next to the electric teakettle and made off with a small plastic bag.

By the time I spotted them, they had already opened the contents of the bag. It was clear that they were enjoying this special treat. One of the monkeys opened the little foil packet of instant coffee and another one containing sugar. They licked one of their long nails and dipped it into each packet to extract the powders and mixed them together. This was their morning coffee.

The monkey is a holy animal in India, revered in the culture like the cows. The Hindu monkey deity Hanuman waits on call to save India if peril threatens and can traverse the country in mere seconds, according to the scriptures. And god forbid your vehicle should hit one on the road–there’s serious karma to pay. Yet at the same time, they’re recognized as a nuisance and a pest if they live among you. Serious injuries can happen. Attacks like the one that nearly happened to me are all too frequent.

But as I watched them delight in their moment, like a couple of coworkers taking a break at Starbucks, all that was suddenly forgotten.

So much for duality … What wasn’t there to respect about these remarkable beings.

Read more: Macadamia Nuts, India, Hanuman, Monkey, Buddhism, Hinduism, Spirituality, Hill Station, Duality, Ganges, Living News

‘Work’ On Labor Day 2010: Stunning Photographs From New Book Of Charles LeDray’s Artwork (PHOTOS)

“CHARLES LEDRAY: workworkworkworkwork” brings together over 25 years of remarkable work by Mr. LeDray, an artist who makes meticulously detailed, handcrafted work presented at an unexpected, usually small scale, using materials including fabric, ceramics, and human bone. This comprehensive survey of Charles LeDray’s work was organized in close collaboration with the artist.

The exhibition at the ICA/Boston, which will travel to the Whitney Museum in New York in November, brings to audiences the artist’s significant and fascinating body of work, work that we felt was under-recognized by the art-going public. To accompany the exhibition, we wanted to create a book that would be beautifully designed and would contribute to critical thinking about Mr. LeDray’s oeuvre. We engaged Skira Rizzoli, and Stefan Sagmeister to design it, and invited three thoughtful and engaging authors, Adam D. Weinberg, Director of the Whitney Museum of American Art, James Lingwood, co-director of Artangel in London and Jen Mergel, Beal Family Senior Curator of Contemporary Art at the Museum of Fine Arts, Boston to contribute essays.

— Randi Hopkins, Associate Curator
Institute of Contemporary Art/Boston

Charles LeDray was born in 1960 in Seattle, Washington, and currently lives and works in New York. “Charles LeDray: workworkworkworkwork,” a major exhibition surveying 25 years of the artist’s work can now be seen at the Institute of Contemporary Art/Boston (July 16–Oct. 17, 2010). The exhibition will travel to the Whitney Museum of American Art in New York (Nov. 18, 2010–Feb. 13, 2011) and to the Museum of Fine Arts, Houston (June-September 2011). The artist’s previous exhibitions include a solo show organized by the ICA Philadelphia (2002-2003); and a number of significant group exhibitions including Sculpture, the Cartin Collection, Hartford, Connecticut (2005); Past Presence: Childhood and Memory, Whitney Museum of American Art, New York (2005); and the Lyon Biennale, France (2000). In 1993, LeDray received the Louis Comfort Tiffany Foundation Award and in 1997 he was the recipient of the Prix de Rome from the American Academy in Rome. The artist’s work can be found in major public collections including the Museum of Modern Art, New York, the Whitney Museum of American Art, New York, the Museum of Fine Arts, Boston, and the San Francisco Museum of Modern Art.

Read more: Slidepollajax, Art Gallery, Art, Artwork, Charles Ledray, Fashion Art, Art Showcase, Fashion, Ledray, Labor Day 2010, Work, Labor Day, Labor Day Work, Books News

Saatchi gallery deal hits setback

Charles Saatchi’s plan to donate his gallery to the British public hits a stumbling block after talks with Arts Council England break down.